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The actors

Isabelle Mouchard

Theatre : Isabelle Mouchard has collaborated with Hubert Colas : Stop ou Tout est bruit pour qui a peur by Hubert Colas, Le Livre d’or de Jan by Hubert Colas, Face au Mur by Martin Crimp, Hamlet by Shakespeare, sans faim... (2) by Hubert Colas, as well as readings and work-in-progress performances such as 12 Soeurs slovaques by Sonia Chiambretto, Dramuscules by Thomas Bernhard, Guerre by Rainald Goetz, La Brûlure by Hubert Colas, Lettre à M. le Directeur du centre canin portuaire by Liliane Giraudon. Isabelle also worked with Frédéric Mauvignier (Calibre 38 by Frédéric Mauvignier, Au fait by Peter Sotos, La Famélique famille by Lola Arias ) ; with Magalie Mougel (Ce que Suzy mesure directed by Julie Fonroget) ; with Mathieu Montanier (Primo Amore by Letizia Russo) ; with Julien Travaillé (La prisonnière espagnole by Julien Travaillé) ; with Pierre Laneyrie and Thierry Raynaud (Une Petite randonnée [P.R] by Sonia Chiambretto) ; with Mireille Herbstmeyer (Le Pays lointain by Jean-Luc Lagarce) ; with Rodrigo Garcia (Un nid douillet - performance) and with Eva Jacobi (Rouge et Césaret Les Ateliers pathologiques).
With Pierre Laneyrie, Isabelle co-directed Importe qui autour des écrits d’Alberto Giacometti with the ERAC at the Maeght Foundation.
Isabelle worked as the directing and movement assistant with Hubert Colas for sans faim by Hubert Colas and Purifiés by Sarah Kane, and with Laurence Janner for Comment Wang Fô fut sauvé des eaux, a childrens’ play by Marguerite Yourcenar. She also assisted Hubert Colas on different educational workshops for the TNS, ERAC, TNB and Mac in Créteil.
Radio : Isabelle took part in a variety of projects : Nouit by Thomas Clerc (artistic direction by Hubert Colas) directed by Blandine Masson for France Culture ; ACR by Olivier Martineau for France Culture ; Biogres by Liliane Giraudon for France Culture; Jeff Koons by Rainald Goetz, artistic direction by Hubert Colas, directed by Martine Gateau for France Culture.
Dance : Isabelle created the collective “Juste Derrière Pierre” with composer Zidane Boussouf. She directed and choreographed À chacun la sienne ou schizophrénie ma sœur (1999) and Mes hommages dommages (2000).

Thierry Raynaud

An actor with Diphtong Cie since 1992, Thierry Raynaud has worked with Hubert Colas on : Visages, La Brûlure, La Croix des oiseaux, Traces ou Semence(s) au Père, sans faim followed by sans faim & sans faim 2... (Hubert Colas) ; Mariage by Witold Gombrowicz, Nouvelle Vague and La Fin de l’amour by Christine Angot ; 4.48 Psychose and Purifiés by Sarah Kane ; Comment cela est-il arrivé ? by Joris Lacoste ; Extaciones by Eduardo Calla, created in Bolivia ; Face au mur by Martin Crimp ; Jupiter by Thomas Jonigk. Also under the direction of Hubert Colas, Thierry was Hamlet in the eponymous play, in a 2005 creation. He also worked with Pierre Laneyrie (Phèdre by Seneca), Franck Dimech (Les Orphelins de Jean-Luc Lagarce and Têtes éventrées dans une poubelle pendant l’éclipse du soleil – a collective creation), Mathieu Cipriani (texts by Pierre Guyotat), Alain Béhar (Manque by Sarah Kane), Lola Arias (Rêve avec revolver by Lola Arias), Émilie Rousset (Santiago High Tech by Cristian Soto and Welkom John by Émilie Rousset), Mirabelle Rousseau (Si ce monde vous déplaît, vous devriez en voir quelques autres de Philip K. Dick) and Mohamed El Khatib (A l’abri de rien by Mohamed El Khatib). He took part in worskshops with Andreï Serban and Claude Régy organised by L’Académie Expérimentale des Théâtres, and in workshops with Alain Gautré and Sumako Koseki. On radio, for France Culture, he recorded various fictions such as Jeff Koons by Rainald Goetz, directed by Hubert Colas, and Biogres by Liliane Giraudon. He also participated to various readings and scratch performances at different editions of the actOral festival in Marseille : Lettre à la mère by Liliane Giraudon, La Sorcière aux dents vertes by Sonia Chiambretto, Kanaka by Jean-Jacques Viton, La famélique famille by Lola Arias, Gênes 01 by Fausto Paradivino, Guerre by Rainald Goetz, Dramuscules by Thomas Bernhard, On by Arno Calleja, Au fait by Peter Sotos and Simon by Hubert Colas.
He worked with the authors to direct readings and scratch performances of Nouvelles révélations sur le jeune homme by Joris Lacoste (2002), texts by Arno Calleja (2003), La fiancée de Makno by Lilliane Giraudon (2005), Bascule by Pierre Guéry (2006). In collaboration with Pierre Laneyrie, he directed Une Petite Randonnée [P.R] by Sonia Chiambretto, and a scratch performance of Pelléas et Mélisande by Maurice Maeterlinck.

Manuel Vallade

Manuel Vallade trained at the Théâtre National de Strasbourg’s École Supérieure d’Art Dramatique. He has worked under the direction of Yann Joël Colin (Violences by Didier-Georges Gabily), Hubert Colas (sans faim followed by sans faim & sans faim 2... by Hubert Colas, Hamlet by Shakespeare, Face au Mur by Martin Crimp and Mon Képi blanc by Sonia Chiambretto), Bernard Sobel (Innocents coupables by Alexandre Ostrovski), Yves Beaunesne (Dommage qu’elle soit une putain by John Ford), Stéphane Braunschweig (Les trois soeurs by Tchekhov), Mathieu Bertholet (Case Study Houses by Mathieu Bertholet) and Éric Masse (MacBeth by Shakespeare).
He took part in readings directed by Hubert Colas (Katarakt by Rainald Goetz, Simon by Hubert Colas), Thierry Raynaud (Bibi by Charles Pennequin), Julie Kretzschmar and Thomas Gonzalez (La cicatrice by Alain Kamal Martial), Hauke Lanz (Les névroses sexuelles de nos parents), Yan Duyvendak (Please continue, Hamlet) and Stéphane Braunschweig (Six personnages en quête d’auteur).
In cinema, Manuel has featured in films directed by Jean-Pascal Hattu (Cadeaux), Jean-Baptiste De Laubier (En attendant la neige), Nicolas Engel (Les Voiliers du Luxembourg), Lionel Mougin (Infrarouge), Isabelle Czajka (D’amour et d’eau fraîche), Daniel Sicard (Drift away), Sébastien Betbeder (La vie lointaine, Yoshido, Les nuits avec Theodore), Christelle L’Heureux (La maladie blanche), David Maye (Angela), Pascale Ferran (Bird people), Damien Gault (Footing) and Nicolas Phillibert (La Maison de la radio).
In dance, Manuel has worked under the direction of choreographers Vincent Dupont (Incantus, Plongée) and Olivia Granville (Le Cabaret Discrépant, 5 ryoanji).
In radio, he has worked under the direction of Jean-François Peyret (Le vol au dessus de l’océan sous les yeux de Pascal Benjamin after Bertolt Brecht) and Enzo Cormann and Jacques Taroni (Les derniers jours de l’humanité by Karl Kraus).

Diphtong Cie - Hubert Colas - 3, impasse Montévidéo 13006 Marseille - Phone. 04 91 04 68 41 - info@diphtong.comcredits